Disney World Art of Animation Little Mermaid Suite Tour

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sunday/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history class or spent fourth dimension in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. As with other subjects, virtually of what we learn nearly art history today still centers on white men from Europe and, later, the United States. In reality, there are so many more artists of all genders to acquire from and appreciate.

Here, we're specifically taking a look at but some of the women who have had lasting impacts on their art forms. From some of the fine art world's nigh iconic pioneers to its virtually unsung heroes, these women artists all had a paw — and, in some cases, still have a hand — in changing the globe of fine fine art and how nosotros ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney Academy in Pennsylvania for more than 30 years. After studying the work of painters similar Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman'south Untitled Film Stills (1977–fourscore). series. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps nearly well known for her series of Untitled Film Stills (1977–fourscore) — self-portraits in which Sherman "posed in the guises of various generic female movie characters, amid them, ingénue, working girl, vamp, and alone housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A still from the performance Cutting Piece, 1964, and a pic of the installation Half-A-Room, 1967, as seen at the Museum of Modernistic Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

Y'all might starting time think of Yoko Ono as a musician and activist, only she'southward too an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance art movement, earning the nickname the "High Priestess of the Happening".

One of her about revered works, Cut Slice, was a performance she commencement staged in Japan; Ono sat on stage in a nice suit and placed pair of scissors in front of her, and, in an act of daring vulnerability, invited audience members to come on phase and cut away pieces of her vesture. "Fine art is similar breathing for me," Ono has said. "If I don't do it, I start to choke."

Betye Saar

Betye Saar's Black Girl's Window, 1969 (total and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Earlier becoming a printmaker and activist, Betye Saar studied pattern and was employed as a social worker. A printmaking elective changed her entire career trajectory — and, in plow, function of the trajectory of art history.

Saar was role of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can go the viewer to expect at a work of art, then you might be able to requite them some sort of message."

Frida Kahlo

People expect at Frida Kahlo'southward 1939 painting Las Dos Fridas at the Earth Forum of Civilization in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to observe someone who hasn't at to the lowest degree heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes similar decease and identity through her self-portraits. Kahlo oft used bold, bright colors to create her symbol-rich works, and was regarded equally one of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'south Infinity Mirrors showroom at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, merely she'south also known for her hyper-real sculptures, polka dots, installations, so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her indelible Mirror/Infinity rooms series, which employ mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama'southward portrait at the Smithsonian'southward National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, oft doing everyday activities — something that became more than common in portraiture writ big in the mid-19th century. Odds are that you recognize Sherald's work — and her signature grayscale skin tones — as she was the showtime Black woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a piece of work from her serial, Pelvis Series Red With Yellowish in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known equally the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the first woman painter to gain the respect of the New York art world, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Gilded Panthera leo for best artist in Okwui Enwezor'south biennial exhibition All the Globe's Futures, function of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York Metropolis. She used her work to question society, identity, and racial politics past demanding the audience to confront truths near themselves. She often challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front of a photo in her exhibition Our House Is on Burn down at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Bureau/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Islamic republic of iran Islamic Revolution took place. She is all-time known for her photography, pic, and video piece of work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photograph Courtesy: Marianne Barcellona/Getty Images

Every bit a neo-conceptual artist, Jenny Holzer'due south piece of work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works brandish phrases that act as meditations on diverse concepts, such as trauma, noesis, and promise. Ane of her more notable works, I Odor Yous On My Peel, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photograph Courtesy: Fine art Gallery of Ontario (Agone)

Much of Rebecca Belmore's art addresses identity and history — and, in detail, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe creative person, she works to raise sensation around the prejudice, violence, and attempted erasure of Indigenous Northward American civilisation. In 2005, she was the commencement Indigenous adult female to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — similar the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the master styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Little Gustatory modality Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced past pop culture and pop fine art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago'due south seminal work The Dinner Political party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art motion. As exemplified in her iconic work The Dinner Party, her installation pieces oft examine the part of women in history and civilization — in the 1970s and before. While at California State University in Fresno, Chicago founded the showtime feminist art plan in the Usa.

Augusta Savage

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Fine art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating scenic sculptures, ofttimes of Black folks, Savage founded the Fell Studio of Craft in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance fine art practices, Carolee Schneemann is considered the progenitor of "trunk art". (Just await upwards her nearly famous piece of work, Interior Scroll, and you'll see what we mean.) She used her trunk to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin'south piece of work challenges traditional ability relations. In addition to documenting New York City'southward queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'due south Marilyn Monroe (1967) by Elaine Sturtevant. Photograph Courtesy: Ben Stanstall/AFP/Getty Images

Does this look similar an Andy Warhol to you? Well, that'due south the idea! Elaine Sturtevant, who went by her terminal name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-proper name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. However, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art civilisation.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based creative person, Asawa'southward last public commission was the Garden of Remembrance at San Francisco Country University, which was created to recognize Japanese Americans who were interned during World State of war 2.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov eight, 2007 in New York Metropolis. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and mural photography, Catherine Opie has been a photographer since the historic period of nine. She uses her photography to examine social norms, and, in doing and so, displays various subcultures in formal portraits — but in a mode that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Dominicus) VR game. Photograph Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and banana professor who won an Touch on Accolade at the Indiecade Festival in 2020 and the Creative Honor from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to accost global issues such as racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstruse Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Assistants (WPA).

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